New York

The Harlem Renaissance and Transatlantic Modernism

February 25th, 2024 through July 28th, 2024

Metropolitan Museum of Art, New York City, New York, United States

The Picnic by Archibald Motley.

“The Harlem Renaissance and Transatlantic Modernism,” will include the works of more than 100 artists from the early 20th century — a time early in the Great Migration, when Black life and Black art was being transformed. It was an artistic revolution that, according to the Met, upended the international understanding of modern art and modern life and changed “the very fabric of early 20th-century modern art.”

Curator Denise Murrell, said the term “Harlem Renaissance” generally refers to a cohort of artists who were “committed to the idea of portraying the modern Black subject in a modern way,” reflecting the changing cultural reality and vibrancy of places like Harlem. She described the style as one that combines African aesthetics with more experimental and expressionistic forms of European modernism.

Denise Murrell, curator of the exhibit, speaking with our founder, Gregroy T. Walker.


National Portrait Gallery, London, England, The Time is Always Now
Artists Reframe the Black Figure

Formidable … Nanny of the Maroons’ Fifth Act of Mercy by Kimathi Donkor (2012). Photograph: Courtesy of the Artist and Niru Ratnam, London. Photo: Tim Bowditch

Exhibition Dates: February 22, 2024 - May 19, 2024, National Portrait Gallery​ St Martin’s Place​ London, England

Fault-lines and glitches … Father Stretch My Hands by Nathaniel Mary Quinn (2021). Photograph: © Nathaniel Mary Quinn. Photo: Rob McKeever. Courtesy Gagosian

She was learning to love moments, to love moments for themselves by Amy Sherald (2017) © Amy Sherald. Courtesy of the artist and Hauser & Wirth.

A major study of the Black figure – and its representation in contemporary art. 

The exhibition, curated by writer Ekow Eshun, showcases the work of contemporary artists from the African diaspora, including Michael Armitage, Lubaina Himid, Kerry James Marshall, Toyin Ojih Odutola and Amy Sherald, and highlights the use of figures to illuminate the richness and complexity of Black life. As well as surveying the presence of the Black figure in Western art history, we examine its absence – and the story of representation told through these works, as well as the social, psychological, and cultural contexts in which they were produced. —National Portrait Gallery


Philadelphia, Pennsylvania

Quintessence Theatre Presents, ‘Father Comes Home From The Wars Parts 1, 2, & 3’

Written by Suzan-Lori Parks

Directed by Raelle Myrick-Hodges

Quintessence Theatre 7137 Germantown Ave, Philadelphia, PA 19119

May 29, 2024 - June 23, 2024

Please Use Code TBN2024 for 20% Off Your Ticket Purchase

Hero, an enslaved Texan, is offered a deal - to join his master in the Confederate army with the promise of emancipation if he survives — or to remain with his true love Penny and work the plantation. Creating a new Black American history cycle, Pulitzer Prize winner Suzan-Lori Parks changes our perspective on the American Civil War and dramatizes the events leading up to Juneteenth.

A new play conceived, directed, written, and produced by The Brothers’ Network. Funded in part by Black Theatre Alliance of Philadelphia.

Alain LeRoy Locke is heralded as the “Father of the Harlem Renaissance” for his publication in 1925 of The New Negro—an anthology of poetry, essays, plays, music and portraiture by white and black artists. Locke is best known as a theorist, critic, and interpreter of African-American literature and art. He was also a creative and systematic philosopher who developed theories of value, pluralism and cultural relativism that informed and were reinforced by his work on aesthetics.

Philadelphia

SELF RESPECT; OR WHEN A MAN HAS SOMETHING TO BE CONCEITED OVER